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Unfortunately This Lecture has been Cancelled: Tschabalala Self
The Evening Lecture Series is free and open to the public. All Fall 2021 Lectures will be streamed online via Zoom and YouTube Live. With inquiries, please contact Sam Levy at email@example.com.
This Lecture has been cancelled, we hope to reschedule it for another date.
Tschabalala Self was born in 1990 in Harlem, NY, US, and lives and works in New York, NY, US, and New Haven, CT, US. She graduated from Bard College in 2012 and received her M.F.A. from the Yale School of Art in 2015. Future and recent solo exhibitions include By My Self, Baltimore Museum of Art, Baltimore, US (2021); Cotton Mouth, Galerie Eva Presenhuber, New York, US (2020); Tschabalala Self: Out of Body, ICA Boston, Boston, US (2020); Thigh High, Pilar Corrias, London, UK (2019); Tschabalala Self, Art Omi, New York, US (2019); Hammer Projects: Tschabalala Self, Hammer Museum, Los Angeles, US (2019); Tschabalala Self, Frye Art Museum, Seattle, US (2019); Bodega Run, Yuz Museum, Shanghai, CN (2018); Bodega Run, Pilar Corrias Gallery, London, UK (2017); Tschabalala Self, Tramway, Glasgow, UK (2017); Tschabalala Self, Parasol Unit Foundation for Contemporary Art, London, UK (2017).
She has participated in numerous group exhibitions such as Beyond the Black Atlantic, Hannover Kunstverein, Hannover, Germany (2020); Radical Figures, Whitechapel, London, UK (2020); Desire: A Revision from the 20th Century to the Digital Age, Irish Museum of Modern Art, Dublin, Ireland (2019); Unparalleled Journey through Contemporary Art of Past 50 years, Rubell Museum, Miami, US (2019); Present Tense: Recent Gifts of Contemporary Art, Philadelphia Art Museum, Philadelphia, US (2019); Prospect, Museum of Contemporary Art San Diego, San Diego, US (2019);MOOD: Studio Museum Artists in Residence, MoMA PS1, New York, US; Paint also known as Blood, Museum of Modern Art, Warsaw, Poland (2019); Show Me as I Want to Be Seen, Jewish Museum, San Francisco, US (2019); Dirty Protest: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, US (2019); Triple, University Art Museum, Albany State University, Albany, US (2018); The Beyond: Georgia O’Keeffe and Contemporary Art, Crystal Bridges Museum of American Art, Raleigh, US (2018); Mademoiselle, Centre Régional d’Art Contemporain Occitanie/Pyrénées-Méditerranée, Sète, France (2018); Trigger: Gender as a Tool and a Weapon, New Museum, New York, US (2017).
Self’s work belongs to many prominent museum collections including The Aïshti Foundation, Beirut, Lebanon; Arario Museum, Seoul, South Korea; The Art Institute of Chicago, Chicago, USA; Art Omi, Ghent, USA; Astrup Fearnley, Oslo, Norway; Birmingham Museum of Art, Birmingham, USA; Brooklyn Museum of Art, Brooklyn, USA, Bunker Artspace, West Palm Beach, USA; California African American Museum, Los Angeles, USA; CC Foundation, Shanghai, China; Emdash Foundation, London, UK; Hammer Museum, Los Angeles, USA; ICA Boston, Boston, USA; JPMorgan Chase Art Collection, New York, USA; Karpidas Family Collection, Dallas, USA; Los Angeles County Museum of Art, Los Angeles, USA; Lewben Art Collection Foundation, Vilnius, Lithuania; Luma Foundation, Zurich, Switzerland; Perez Art Museum Miami, Miami, USA; Philadelphia Museum, Philadelphia, USA; Pinakothek der Moderne, Munich, Germany; Qatar Museums Authority, Doha, Qatar; Rubell Family Collection, Miami, USA; Studio Museum in Harlem, New York, USA; Yuz Museum, Shanghai, China.
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