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The Studio As A Stage For Fantasy: Cézanne’s “Festive” Still Lifes
The Evening Lecture Series is free and open to the public. All Spring 2022 Lectures will be streamed online via Zoom and YouTube Live. With inquiries, please contact Sam Levy at firstname.lastname@example.org.
Mary Tompkins Lewis was a Visiting Assoc. Professor in Art History for almost 30 years at Trinity College, Hartford, and has been a frequent contributor as an art critic to The Wall Street Journal for the past decade. She is the author of Cézanne’s Early Imagery (UC Berkeley;1989); Cézanne: Art and Ideas (Phaidon, London; 2000), and was the editor and a contributor to Critical Readings in Impressionism and Post-Impressionism: An Anthology (UC Berkeley; 2007). Her most recent publication, Paul Cézanne: Painting People (Princeton Univ.; 2017), grew out of her involvement in the 2017-18 exhibition of Cézanne Portraits that was shown at the Musée d’Orsay, the National Portrait Gallery in London, and the National Gallery, Washington DC. She is currently at work on a study of Cézanne’s male nudes.