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Candida Alvarez and Allison Glenn

Sunny

The Evening Lecture Series is free and open to the public. With inquiries, please contact Curator Jacob Brooks. 

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Candida Alvarez, “Sunny,” 2023, Flashe paint and pencil on yupo paper, 10 framed works, 12 x 9 inches, each. Courtesy of the artist and Monique Meloche Gallery.

Candida Alvarez: Circle, Point, Hoop, El Museo del Barrio

Candida Alvarez is an artist whose primary materials are painting and drawing. Her abstractions are composed from a personal narrative that is captured through mobile photography. Beginning with a collage-like exchange, Alvarez creates a space that eventually unfolds into drawings, resulting in several layers overlapping. The works evolve through an intuitive process where color becomes the pictorial architect between shape and line. Abstraction becomes a sense of wonder that tracks the formal play and lives within Alvarez’s compositions.

Alvarez (b.1955, Brooklyn, NY) received her MFA from Yale School of Art, New Haven, CT (1997) and taught painting at The School of The Art Institute of Chicago for 25 years where she is now Professor Emeriti. Solo exhibitions include Monira Foundation at Mana Contemporary, Chicago, IL (2024); moniquemeloche, Chicago, IL (2023); Gavlak, Palm Beach, FL (2019); Chicago Cultural Center, Chicago, IL (2017); Hyde Park Art Center, Chicago, IL (2012); New Britain Museum of American Art, New Britain, CT (1996); and the Bronx Museum of the Arts, Bronx, NY (1992). Notable group exhibitions include Forecast Form: Art in the Caribbean Diaspora, 1990s–Today, at the Museum of Contemporary Art, Chicago, IL (2022-2023), and ICA Boston (2023); no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria at The Whitney Museum of American Art, New York, NY (2022); To Weave the Sky: Textile Abstractions from the Jorge M. Pérez Collection, El Espacio23, Miami, FL (2023-2024); The Fondation Vincent van Gogh Arles (2023-2024); Galerie Lelong, New York, NY (2023); School of the Art Institute of Chicago, IL (2022); Z33 Gallery, Belgium (2021-2022); El Museo del Barrio, New York, NY (2021); DePaul Art Museum, Chicago, IL (2018); Kemper Museum, Kansas City, MO (2017); and The High Museum of Art, Atlanta, GA (1990).

Public collections include the Whitney Museum of American Art, NY; The Art Institute of Chicago, IL; Peréz Art Museum Miami, FL; the Museum of Contemporary Art, Chicago, IL, El Museo de Barrio, NY; The Studio Museum in Harlem, NY; Seattle Art Museum, WA; LUMA Foundation, Arles, FR; and DePaul Art Museum, IL. Recent awards and fellowships include the 2024 Trellis Art Fund Grant, 2022 Ford Mellon Foundation Latinx Artist Fellowship, 2022 Academy of Arts and Letters Award in Art, the Helen Frankenthaler Award for painting in 2021, and the Joan Mitchell Foundation Painters & Sculptors Grant in 2019. In 2023, Alvarez was artist in residence at the LUMA Foundation Arles, France and at Skowhegan School of Painting & Sculpture, ME. In Fall 2024, Alvarez was the Alex Katz Chair in Painting at the Cooper Union, New York, NY. She currently lives and works in Baroda, MI and Chicago, IL.

Alvarez is one of 18 artists selected to produce a permanent commission for JFK’s forthcoming Terminal 6 project which will open in 2026. She will present a major solo exhibition at El Museo del Barrio, New York, NY opening April 25th. In addition, Alvarez is opening an exhibition at Gray Gallery, NY with Bob Thompson on April 30. She will also  be a panelist at NYU, presented by the Latin x Project on April 9th (as in next Wednesday) entitled Nuyorican & Diasporican Visual Art.

Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. She is Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Glenn has been named Curator of the next Toronto Biennial of Art, opening in late 2026.

Candida Alvarez, “Mostly Clear,” 2023, acrylic, paint pen, glitter on linen, 72 x 84 inches. Courtesy of the artist and Monique Meloche Gallery.

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