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Category: Whitney
Francis Morrone on the Whitney Studio
In this excerpt, architectural historian Francis Morrone describes the creation of the Whitney Studio, designed by Robert Winthrop Chanler and Grosvenor Atterbury. Recorded on December 7, 2016.
August 8, 2017 · History, Lecture Series Archive, Whitney
The Whitney Studio at New York Studio School Named National Treasure
The Gertrude Vanderbilt Whitney Studio in Greenwich Village, operated out of the New York Studio School, has been named a National Treasure by the National Trust. The studio, which was designated a National Historic Landmark in 1992, and was included on the World Monument Fund’s 2012 Watch List, was built in 1877 as a carriage house.
October 15, 2014 · History, Whitney
World Monuments Fund Watch Day
The New York Studio School was placed on the World Monuments Fund Watch List for 2012, and recently students worked on a scale transcription of the Chanler ceiling for ‘Watch Day 2012.’
September 25, 2012 · History, Whitney
1918… The First Marathon?
“In 1918, a case can be made for the original ‘Marathons’ at 8th Street. Twenty painters drew numbers, turned up at 8 West 8th Street and were given canvasses of different sizes, depending on the number they drew, and were instructed to paint pictures on the spot from memory without sitters or models over three days.”
August 24, 2012 · History, Marathons, Whitney
Robert Winthrop Chanler: Forgotten Windows
Seven stained glass windows were originally installed in the room. Red and gold paint flared up the central fireplace, massive painted folding screens spread through the room, light filtered through the stained glass, and heavy drapes hung down to create a sumptuous and private space energized by the collective efforts of Vanderbilt and Chanler.
August 6, 2012 · History, Whitney
![[RSVP FULL] We are currently at capacity for Bob Nickas' lecture, "Has Contemporary Art Run Its Course?", happening tonight on October 14th, 2026. There will be overflow space open in the downstairs gallery.
A critic and curator based in New York, Bob Nickas has organized more than 130 exhibitions since 1984. He was on the teams responsible for Aperto at the Venice Biennale in 1993, the 7th Bienal d’Art Contemporain de Lyon in 2003, and Greater New York 2005, at MoMA/PS1, where he served as Curatorial Advisor between 2004-07. Along with Peter Halley, he was founding Editor of Index magazine, which he helmed between 1996-2000. His writing has been widely published and translated, and five collections of essays and interviews have been published to date: Live Free Or Die (2000), Theft Is Vision (2008), The Dept. of Corrections (2016), Komplaint Dept. (2018), and Corrected Proofs (2023). He also published a yearlong daily diary, Yesterworld, (2022). In 2024, he founded the New York Art Critics Association.
At MoMA/PS1, Nickas organized the first U.S. museum survey exhibitions for Lee Lozano, Wolfgang Tillmans, Tom Sandberg, and Peter Hujar, as well as curated projects with Mike Cloud, Trisha Donnelly and Torbjorn Rodland. A prolific writer, he has authored and contributed to numerous monographs and books, among them for On Kawara, Olivier Mosset, Cady Noland, Steven Parrino, Yayoi Kusama, Dan Walsh, Stephen Shore, Felix Gonzalez-Torres, Anne Collier, Gardar Eide Einarsson, Tomma Abts, Robert Grosvenor, Vija Celmins, Salvo, Peter Bradley, and Kathleen Ryan.
Nickas has lectured at many museums, art schools, and universities over the past forty years, and taught at Columbia University and New York University.
#newyorkstudioschool #nyss #arteducation #lecture](https://nyss.org/wp-content/plugins/instagram-feed/img/placeholder.png)