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Category: 60th Anniversary
NYSS Stories: Marjorie Kramer (Years of Study 1964-66)
“And bingo. We had two, three hours of drawing, three hours of painting, and three hours of sculpture and some of the people who were avant garde in New York thought that we were conservative, but we weren’t, because we were looking to the generations of artists behind us, going back all those oceans of wonderful art and we were using them, I would say, as a landing place to push off from.”
August 6, 2025 · 60th Anniversary, Alumni
NYSS Stories: Paula Heisen (Years of Study 1977–78)
“The discipline of the atelier-style of learning at the School – going in every day to work alongside others at the same tasks, seeing lectures of so many interesting artists, historians and critics, and being critiqued by well-known art world figures – worked on me in ways that became apparent only later on. My sophistication and knowledge increased, and I had a new reference for artistic discipline.”
June 29, 2025 · 60th Anniversary, Alumni
NYSS Stories: Daniel Licht (MFA 2023)
“It seems to me that the Studio School has been kept alive by its sense of life. Different artists with different visions have come and have gone, but an overwhelming sense of the importance of vitality, of lifelikeness of the deepest kind, has kept the school grounded from the start.”
May 28, 2025 · 60th Anniversary, Alumni
NYSS Stories: Elena Sisto (Years of study 1975-1977)
“The thing about art is that in learning to paint and draw you learn to think for yourself and be your own best critic. It teaches you that you can always come up with something new, which is very revolutionary. That gives you agency. That’s why it’s challenging. The more commercial it gets, the less that is true. The School was a kind of crucible where one felt protected and freedom if you wanted it. I realize all of this sounds contradictory—it was kind of a glorious mess. Everyone was all in.”
April 25, 2025 · 60th Anniversary, Alumni
NYSS Stories: Guy Yanai (Years of study 1996-1997)
“So that’s it, the eight hours of drawing and painting every day is a gift. Because if you don’t have a studio practice you don’t have anything. No other place teaches that discipline.”




